You Love

I started “You Love” about three years ago, as a lyric-writing exercise. I do these a lot, because writing lyrics is a never-ending struggle to fill a bucket with a hole in it. If I can occupy my mind with arbitrary rules about rhyme structure, then I don’t spend as much time wondering what in the world to write in the first place. Also, I thought it would be fun to write something in second person, like “Captain Jack” or “Kid Charlemagne”, except about love and hope and not, y’know, junkies. It took a while to finish, and then sat in a note on my iPad for even longer. Eventually, I was looking for something to use as my next choral piece, so I wrote the arrangement over the summer, and taught it to Vocal Ensemble soon after our winter concert. We were on track to perform this new piece at the RIMEA Choral Festival in March, and then the world went into lockdown. 
We would have recorded it anyway, but once COVID-19 took over, we couldn’t even use our meager recording facilities at the school. So each student sang their part into a phone, while listening to the backing track with earplugs, and we began the INCREDIBLY TEDIOUS task of manually assembling a chorus. I’d guess that each track took at least an hour and a half of cleanup before it was in decent-enough shape to add to the project. Then the real fun started, with lining up entrances, fixing timing and tuning, and just generally being obsessive. The audio for this three-minute song probably took eighty hours of work. I’m not complaining, though; we got something special, and it sounds like what they sound like when they sing together, which is to say, fantastic.

From the inside, out

We left school in March, on Friday the 13th, telling each other, “well, see you in a month or so!”. We knew that we probably weren’t going back, but no one was ready to process what that actually meant. In the two months following, everything on the school calendar was canceled: concerts, the spring musical (Legally Blonde!), proms, class awards, graduation. The country has endured a terrible year, with tragic losses. However, our high school seniors have endured a different kind of terrible year. While their families have lost income, and possibly loved ones, they have also lost all of the milestone events to which young people look forward for most of their school careers. 
Each year at Mt. Hope, we do a recording project with Vocal Ensemble, our audition choir. The first couple were graduation songs (see “To Belong” and “Timeless”), which we were honored to present at the graduation ceremonies their respective years. For 2020, we had a new choral piece, entitled “You Love”, which we had planned to debut at the RIMEA state choral festival. This festival was, of course, canceled, so we were at a loss as to what to do with it. Out of sheer desperation, and a desire for a project around which we could rally, we decided to record it remotely. Twenty students, all singing into their respective iPhones, on a choral song that relies on precise timing and shared dynamics. WHAT COULD GO WRONG? Also, since the difficulty level evidently wasn’t already high enough, we figured we could record all of our seniors’ solos, and make an entire album out of the resulting material. 

WHAT COULD GO WRONG?

Well, so, a lot. However, we stumbled into a fantastic project, which brought us together in a myriad of ways, and which gave our last quarter of the school year real purpose. Over the next few posts, I’ll document what we did to make “From The Inside, Out”, as well as the accompanying videos and fundraising project. If you would like to cheat a little and find out ahead of time how to contribute, click here.

New cover of an OLD song

I wrote the song “Rejoice Tonight” in 2006, for the first cd we released as St. Luke’s Church Contemporary Choir. Honestly, it was so thrown together that I didn’t have all of the sections, and had to have Ryan (was it Ryan? I think it was Ryan) play drums while I pantomimed where I guessed we would put the stops. Then I brought the tracks home and completely rewrote it anyway. Having said that, it’s been pretty popular over the years, and is still an absolute must-play on Christmas Eve. So I was psyched, and honored, to have it covered by the OLG Young Adult Choir from Hoboken, NJ. Led by Bill Turtle, this group released their first album, “Love’s Pure Light“, in November of 2019. It’s a wonderful mix of standards and contemporary music, and you should listen to it all year round. Why is Christmas music only for Christmas, anyway?

Buy/listen online:
iTunes Amazon Spotify YouTube

Atlantis, At Last

Atlantis, At Last is the collected set of recordings by D. J. Lauria Band from 1993-2000. It brings together several cassette singles, the Satellite Pictures album, a few unreleased tracks, and assorted demos. It’s not even close to containing all of the music from that time period; we closed up shop just as it became cost-effective to record your own releases. Still, it’s great to finally have it memorialized, if for no other reason than that my kids will believe I once actually had a band.

Buy/listen online
iTunes Amazon Spotify YouTube

Song info, in chronological order:
Original demos and the “Barn Owl” single
Recorded Jan-Apr 1993 at Lakewest Studios, West Greenwich, RI.
Engineered by Jack Gauthier
“Belinda”:
Drums – Mike Stamp, Jr.
Bass – Todd Stiles
All other instruments/vocals – DJL
Barn Owl”, “Top Cat”, “Town Librarian”, “House With Yellow Shutters”:
Drums – John Andrade, Jr.
All other instruments – DJL
Belinda was originally recorded with the Ted Stevens Band for their self-titled cassette release in 1992. We kept the drum and bass tracks for this demo, and re-recorded all of the rest.
More info on the “Barn Owl” single

Live to DAT and the “Time That I Forgot” single
Recorded Feb 1994 at Lakewest
“Time That I Forgot”, “Previous Engagement”, “As The Sun Fell”, “Play This, Pete”, “Actual Condition”, “All I Need”:
Bass – Todd Stiles
Drums – John Andrade, Jr.
All other instruments – DJL
More info on the “Time That I Forgot” single

“Another One Like Me”
Recorded May 1994 at Celebration Sounds, Pawtucket, RI
Engineered by a recording class, for practice (!)
Bass – John Sundström
Drums – John Andrade, Jr.
All other instruments – DJL

Satellite Pictures sessions
Recorded Sep 1996 at Lakewest
“Day Before We Met”, “Emergency Stop”, “Huddleston Pond”:
Bass/vocals – John Sundström
Drums/vocals – John Andrade, Jr.
All other instruments – DJL
More info on the “Satellite Pictures” album

Public Therapy single
Recorded Sep 1997 at The Music Grind
Engineered by J. Brien
“What Is It About You”, “Public Therapy”:
Bass/vocals – John Sundström
Drums/vocals – John Andrade, Jr.
All other instruments – DJL
More info on the “Public Therapy” single

“Christmas Morning, 5:00AM”
Home recording from Dec 1999. Remastered for this release, 2019
Bass/vocals – John Sundström
Drums/vocals – John Andrade, Jr.
All other instruments – DJL
I wrote and recorded a demo version of this for Mike Davidson’s All Star Christmas, Vol II (with Mike on drums) the year before. This was the first song I ever engineered at home, and it was a mess, so I’m particularly happy to have this remixed version ready for the twenty-year anniversary!

“Show Me An Angel”
Home recording from 2001. Remastered for this release, 2019
Bass – Sean Finnerty
Drums – John Andrade, Jr.
All other instruments – DJL

If you love something, set it free. Or, y’know, don’t.

Some of my favorite bands/songwriters/composers:
Elvis Costello, Black Sabbath, Freddie King, Mozart, Thelonious Monk, The Monkees, The Go-Gos, Iron Maiden, Bill Lloyd, David Conte, Kenny Burrell, Telemann, Dave Brubeck, and about a million others. I was so incredibly fortunate that I was able to major in songwriting in college. It still feels like I won the lottery, just with tuition.
Since it’s my thing, I’ve written a bunch of songs for friends in the business, over the years. “Town Librarian” was meant for the great Professor Harp, “As The Sun Fell” and “That Look” for James Montgomery, the instrumental “Play This, Pete” for Neal Vitullo, as well as songs for Black and White, Ted Stevens, and Erik Narwhal. We did demos of most of them, some pretty elaborate. Imagine how gratifying it was to hear these amazing musicians play my songs! Seriously, you’ll have to imagine it, since I never actually gave them away when we were done. I have a problem letting go, it seems.
The good news is that most of these will be on the upcoming D.J. Lauria Band anthology, due out in November. Most of the artists named above are still performing (with the heartbreaking exception of Erik), so I’ll probably contact them all to say, “Hey, I wrote you a song twenty years ago. Wanna hear it?” At this rate, I might get one of them recorded before I pay off my student loans.