Atlantis, At Last

Atlantis, At Last is the collected set of recordings by D. J. Lauria Band from 1994-2001. It brings together several cassette singles, the Satellite Pictures album, a few unreleased tracks, and assorted demos. It’s not even close to containing all of the music from that time period; we closed up shop just as it became cost-effective to record your own releases. Still, it’s great to finally have it memorialized, if for no other reason than that my kids will believe I once actually had a band.

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Song info, in chronological order:
Original demos and the “Barn Owl” single
Recorded Jan-Apr 1993 at Lakewest Studios, West Greenwich, RI.
Engineered by Jack Gauthier
“Belinda”:
Drums – Mike Stamp, Jr.
Bass – Todd Stiles
All other instruments/vocals – DJL
Barn Owl”, “Top Cat”, “Town Librarian”, “House With Yellow Shutters”:
Drums – John Andrade, Jr.
All other instruments – DJL
Belinda was originally recorded with the Ted Stevens Band for their self-titled cassette release in 1992. We kept the drum and bass tracks for this demo, and re-recorded all of the rest.
More info on the “Barn Owl” single

Live to DAT and the “Time That I Forgot” single
Recorded Feb 1994 at Lakewest
“Time That I Forgot”, “Previous Engagement”, “As The Sun Fell”, “Play This, Pete”, “Actual Condition”, “All I Need”:
Bass – Todd Stiles
Drums – John Andrade, Jr.
All other instruments – DJL
More info on the “Time That I Forgot” single

“Another One Like Me”
Recorded May 1994 at Celebration Sounds, Pawtucket, RI
Engineered by a recording class, for practice (!)
Bass – John Sundström
Drums – John Andrade, Jr.
All other instruments – DJL

Satellite Pictures sessions
Recorded Sep 1996 at Lakewest
“Day Before We Met”, “Emergency Stop”, “Huddleston Pond”:
Bass/vocals – John Sundström
Drums/vocals – John Andrade, Jr.
All other instruments – DJL
More info on the “Satellite Pictures” album

Public Therapy single
Recorded Sep 1997 at The Music Grind
Engineered by J. Brien
“What Is It About You”, “Public Therapy”:
Bass/vocals – John Sundström
Drums/vocals – John Andrade, Jr.
All other instruments – DJL
More info on the “Public Therapy” single

“Christmas Morning, 5:00AM”
Home recording from Dec 1999. Remastered for this release, 2019
Bass/vocals – John Sundström
Drums/vocals – John Andrade, Jr.
All other instruments – DJL
I wrote and recorded a demo version of this for Mike Davidson’s All Star Christmas, Vol II (with Mike on drums) the year before. This was the first song I ever engineered at home, and it was a mess, so I’m particularly happy to have this remixed version ready for the twenty-year anniversary!

“Show Me An Angel”
Home recording from 2001. Remastered for this release, 2019
Bass – Sean Finnerty
Drums – John Andrade, Jr.
All other instruments – DJL

Listen Above

The idea behind Listen Above is very simple: write songs with a universal, positive, message, and put a band behind them that sounds like the best of all the 70s hard rock bands wrapped up in one. By far, our favorite review referred to the song “Your Love Prevails” as sounding like ‘Linda Ronstadt fronting Deep Purple’. That was the idea, exactly. This album (and band) turned out to be very popular, and features some incredibly talented musicians, including Luke Imbusch of The Rare Occasions on drums.
Album (CD and digital) originally released in August, 2016. Please check our website for tour dates and more information about the band.

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Abide In Our Hearts

The second album by St. Luke’s Church Contemporary Choir, Abide In Our Hearts has some of our most-played songs. “Give Thanks” was written for our summer religious education program, and the children enjoyed it so much that we decided to give it a formal recording. Everybody loves a good ‘Alleluia!’, once in a while. “Everlasting God” was one of our first original songs, dating back to at least 2002, and is still to this day one of our congregation’s favorites. The album’s centerpiece, however, is “Fr. Bill’s Blessing”, written after the passing of our pastor, Fr. William Jenkinson, in 2005. It sets his personal prayer of farewell (with which he ended every mass) to music, and includes a classical piano solo, in honor of his own great talent.
Originally released on CD in October, 2008, and still available at CDBaby.

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The SATB arrangement of Fr. Bill’s Blessing is available through JW Pepper and SheetMusicPlus.

Rejoice Tonight!

“Rejoice Tonight” was the first release from the music ministry at St. Luke’s Church. It was a collection of Christmas music, done in our offbeat style, and featured a country-rock version of “It Came Upon The Midnight Clear” (my first attempt at playing mandolin, which is obvious to anyone who hears it), as well as a faux-jazz guitar solo of “O Come O Come Emmanuel”. The title track was the first original song we released, and it wasn’t even half-written when we recorded the drums. The miracle of (basement) studio technology. This album was one of our best sellers, and still gets a fair amount of play during the Christmas season, which currently starts around the end of July.
Originally released on CD in November, 2006, and still available at CDBaby.

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Satellite Pictures

Satellite Pictures collected our previous singles with three new songs for the D.J. Lauria Band’s first big CD release! (CDs were a thing at the time, trust me.) This was when we had the most label interest, and things were looking up for the band, until: Imago went belly-up, the guys in Worcester decided to put their money into online dating instead, and Global Media turned out to be a semi-scam. Typical music industry stuff. But, hey, at least we got a CD with the wrong track listing printed on it!
“Huddleston Pond” was a diary entry from an afternoon spent at a small park in Peachtree City, GA. The Providence Journal called it a ‘sweetly voiced slice of life’ in their album review, much to our delight. “Emergency Stop” was me trying to sound like Elvis Costello (yet again) by taking a metaphor and stomping every variation of it into the ground for four minutes. Which, no. On the other hand, “The Day Before We Met” started as an attempt to write like John Lennon, which didn’t work, but it became something else, pretty and sad, which did. The other songs had already been released on the exciting cassingle format, making this a sort-of greatest hits compilation, which contained no actual hits.

Originally released on CD in April, 1997. C&D Records catalog #47-193. Currently unavailable.